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Austrian Audio OC818 Dual Set Go Set Condenser Microphone XLR Shock Mounted for Studio
Microphones

Austrian Audio OC818 Dual Set Go Set Condenser Microphone XLR Shock Mounted for Studio

Austrian Audio offers the OC818 Dual Set Go, a professional set of XLR condenser microphones, ideal for studio use. This microphone combines innovative technology with outstanding sound quality,...

Austrian Audio offers the OC818 Dual Set Go, a professional set of XLR condenser microphones, ideal for studio use. This microphone combines innovative technology with outstanding sound quality, making it suitable for any recording.

  • The feature of directionality as Multipattern allows for the selection of different sound pickup patterns, adapting the...
See full description See full description
  • Type (Directivity) Multipattern
  • Usage Studio
  • Placement Shock Mounted
  • Connectivity XLR
  • See all
2985 25 €
Delivery Fri, 14 Aug - Thu, 20 Aug
14,00 €   shipping cost
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Product report

Description

Description

Austrian Audio offers the OC818 Dual Set Go, a professional set of XLR condenser microphones, ideal for studio use. This microphone combines innovative technology with outstanding sound quality, making it suitable for any recording.

  • The feature of directionality as Multipattern allows for the selection of different sound pickup patterns, adapting the microphone to the needs of each recording.
  • Its operation is with a large diaphragm condenser, providing clear and rich sound, which makes it perfect for vocals and musical instruments.

Discover the limitless capabilities of the OC818 and elevate your recording with its exceptional sound.

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Multipattern
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
275 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
13 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
148 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Studio
Placement
Shock Mounted
Vintage
No
Set
Yes
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Description & Specifications

Austrian Audio offers the OC818 Dual Set Go, a professional set of XLR condenser microphones, ideal for studio use. This microphone combines innovative technology with outstanding sound quality, making it suitable for any recording.

  • The feature of directionality as Multipattern allows for the selection of different sound pickup patterns, adapting the microphone to the needs of each recording.
  • Its operation is with a large diaphragm condenser, providing clear and rich sound, which makes it perfect for vocals and musical instruments.

Discover the limitless capabilities of the OC818 and elevate your recording with its exceptional sound.

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Large Diaphragm)

Mode of Operation

Condenser (Large Diaphragm)
Warm and full sound with emphasis on vocals. Mainly used in studios for vocals and solo instruments.
Directivity
Multipattern
Frequency
20 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
275 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
13 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
148 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Studio
Placement
Shock Mounted
Vintage
No
Set
Yes
Color
Black

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

2.985,25 €
14,00 €   shipping cost