In 1976, the long silence finally gave way to music - to the miniature piano Für Alina. It is clear that with this piece, Pärt had found himself, and the compositional technique he used for the first time then continues to inspire his work to this day. The technique, which Pärt has named Tintinnabuli (Latin for 'little bells'), is achieved not through progressive increases in complexity, but arises from an extreme reduction of sound material and from the discipline of restricting oneself only to what is essential.

• Zur Gesundung Von Arinuschka
• Für Alina