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Austrian Audio OC707 Condenser (Small Diaphragm) Microphone XLR Handmade for Vocals in Gray Color
Microphones

Austrian Audio OC707 Condenser (Small Diaphragm) Microphone XLR Handmade for Vocals in Gray Color

Condenser vocal microphone with cardioid polar pattern. Includes the handmade OCC7 capsule and 120 Hz low cut filter (2nd generation).

Design elements:

  • Robust cast iron design.

Detailed...

Condenser vocal microphone with cardioid polar pattern. Includes the handmade OCC7 capsule and 120 Hz low cut filter (2nd generation).

Design elements:

  • Robust cast iron design.

Detailed specifications:

  • Sensitivity: 10 mV/Pa
  • Max SPL: 150dB SPL
  • Frequency range: 70 Hz - 20 kHz
  • Power supply voltage: 48 V
See full description See full description

  • Type (Directivity)

    Unidirectional (Cardioid)

    Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
  • Usage Voice, Studio
  • Placement Handmade
  • Connectivity XLR
  • See all
355 00 €
Delivery Tue, 11 Aug - Thu, 13 Aug
14,00 €   shipping cost
Sent from Greece
From Arco 5.0 (5)
5.0 (5 reviews)
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Product report

Description

Description

Condenser vocal microphone with cardioid polar pattern. Includes the handmade OCC7 capsule and 120 Hz low cut filter (2nd generation).

Design elements:

  • Robust cast iron design.

Detailed specifications:

  • Sensitivity: 10 mV/Pa
  • Max SPL: 150dB SPL
  • Frequency range: 70 Hz - 20 kHz
  • Power supply voltage: 48 V

Manufacturer

Manufacturer Details

Warnings & Safety Information
See full description

Specifications

Specifications

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
70 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
275 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
10 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
150 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Voice, Studio
Placement
Handmade
Vintage
No
Set
No
Color
Grey

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

See all specifications

Description & Specifications

Condenser vocal microphone with cardioid polar pattern. Includes the handmade OCC7 capsule and 120 Hz low cut filter (2nd generation).

Design elements:

  • Robust cast iron design.

Detailed specifications:

  • Sensitivity: 10 mV/Pa
  • Max SPL: 150dB SPL
  • Frequency range: 70 Hz - 20 kHz
  • Power supply voltage: 48 V

Manufacturer

Manufacturer Details

Warnings & Safety Information

Dimensions

Mode of Operation
Condenser (Small Diaphragm)

Mode of Operation

Condenser (Small Diaphragm)
Very accurate and fast in response. Suitable for instruments with detail and high frequencies (acoustic guitar, piano, overheads).
Directivity
Unidirectional (Cardioid)

Directivity

Unidirectional (Cardioid)

Cardioid: Captures sound primarily from the front, reducing sounds from the sides and rear. Ideal for vocals, podcasting, and live recordings.
Frequency
70 - 20000 Hz

Frequency

Indicates the frequency range that a microphone can capture and is expressed in Hertz (Hz). The more balanced the range, the more natural and clear the sound.

Usage examples:

  • 100 – 10,000 Hz to 200 – 12,000 Hz: Emphasis on speech intelligibility, with limited low and very high frequencies.
  • 50 – 14,000 Hz to 80 – 16,000 Hz: Balance of volume and clarity. Ideal for live performances and dynamic microphones.
  • 40 – 15,000 Hz to 50 – 18,000 Hz: Rich, natural vocal sound. Suitable for podcasts, radio, and streaming.
  • 20 – 18,000 Hz to 20 – 20,000 Hz: Full spectrum with high detail and "air". Ideal for studio recording.
  • Below 20 Hz & above 20,000 Hz: Extended technical range for specialized studio applications.
Impendance
275 ohm

Impendance

Indicates how "easily" the microphone transmits its signal to the equipment (mixer, sound card, amplifier). It is expressed in Ohms (Ω).

  • Low impedance (≤ 600 Ω): Stable signal, less noise, ideal for professional equipment and long cable runs.
  • Medium impedance (600 – 1,000 Ω): Good balance, common in live and general use.
  • High impedance (> 1,000 Ω): More sensitive to loss and noise, usually found in older or specialized equipment.
Sensitivity
10 mV/Pa

Sensitivity

The sensitivity of a microphone indicates how strong the signal it produces is when recording a sound. It is measured in mV/Pa or dBV/Pa.

  • High sensitivity: The microphone can capture very low sounds, but it may be more sensitive to ambient noise.
  • Low sensitivity: It records louder sound sources without distortion, but requires more amplification from the preamp.

In general, condenser microphones have higher sensitivity than dynamic ones.

Max SPL
150 dB

Max SPL

Max SPL (Maximum Sound Pressure Level) is the maximum sound pressure level (in dB) that a microphone can withstand before it starts to distort the sound.

  • High Max SPL (e.g., 140-160dB): Ideal for recording loud sources such as drums, amplified guitar, or live concerts.
  • Lower Max SPL (e.g., 120dB): Suitable for vocals and softer recordings.

The higher the Max SPL, the louder the sounds it can capture without distortion.
Connectivity
XLR

General Characteristics

Device Group
Voice, Studio
Placement
Handmade
Vintage
No
Set
No
Color
Grey

Important information

Specifications are collected from official manufacturer websites. Please verify the specifications before proceeding with your final purchase. If you notice any problem you can report it here.

355,00 €
14,00 €   shipping cost